An email chain began with me, Zarko, Marlan and Travis discussing the move of PL to all-CD. The entirety of those emails is reprinted here so you can see the discussion, and hopefully, throw your own 2 cents in.
To answer your questions:
When did the APA get to be so expensive?
It’s mostly the color covers, yeah. But the problem is that it’s so hard to get anyone to help with cost… even if we went to black and white, even if we went to the “Catcher and the Rye” cover (PL # 17 humor there for ya, ha-HA!), we’ve still got a lot of paper we’re going through. That still costs money. So, we could go back to b&w (this would KILL Copy Jesus) and our expenses would drop – but the same problem remains, I’ve got a CopyCo bill with little to no help.
Or the uploading to Copy Jesus's work's FTP site?
No, that continues to be free.
I could live without the color covers, or anything else in color for that matter if it's going to cost a stack of bills.
I could, too, but that’s a quick fix that will lead to the same result.
If people aren't paying for uploading and printing their zines then they need to be cut out or go back to the old ways, which worked just fine for a long time.
I agree. My goal is to have a healthy APA. I’ll take the blame for being too hesitant of cutting members, and in letting the finances get out of order. It’s something we need to look at soon, the roster. I’d like to propose that if you haven’t contributed in, a year(?) and you haven’t contributed money, then we cut these people from the roster. It’s a housekeeping issue. I’ve been trying to keep everyone happy, and I’ve also lacked the organization to see who contributed what last, but yeah… here in an issue or two, I’d like to get serious about the APA being a members-only publication. If you don’t make some form of contribution, then we stop mailing you the APA. This is common sense, I know, but like I said, in my mind, I’m always hopeful that that member who hasn’t contributed in so long is going to see issue 38 and be like, “I’ve got to get writing!” I’m too quixotic, obviously, need to be more cutthroat when it comes to the management of the APA. And yeah, another reason our funds are so screwey is because we produce 25 copies for, what, 12 regular contributors? Blame me for all of this, I’ve totally mismanaged this aspect of the APA.
If someone's paying for it then it should be the writer paying for it. This thing isn't free.
But it has been free, for a long time, for many of our members.
Are the other APAs going through the same thing?
I haven’t communicated with another APA in years (honest, baby…) I can’t answer that question.
And Travis brings up a good point about everyone being able to read their zines on their computers. When we do this, we're going to have to make sure that everyone is using the same program for their zines so they're compatible to everyone. I do mine in Publisher (and an old version, at that) and not everyone has that (nor should they). Travis does his in Office and I don't think I ever even installed that on my computer. Baxter has a Mac; I think Arnett does, too. I would suggest everyone saving in Word but even that's doubtful that everyone has it. It is important we figure this out.
No worries on this. Copy J could give you the particulars, but the short of it is: yeah, the CD format will accept your publisher, word, wordpad, mac, whatever program. Because when you open your CD (try it on your computer to see what I’m talking about) it simply opens as an Acrobat file. So, I guess you need Acrobat, which is free, right? But Copy J takes all the files that are uploaded, turns them into PDFs (how? I don’t know, I don’t look behind the curtain to see the almighty Oz, nor do I want to) and =presto= he saves them in order of the TOC on the CD.
The problem I have with this is I like to draw in my zines… and now I’ll have to scan that art, or something, to get it in the digital version of the zine. So there is one technical problem I can tell you I have. If you hand write your zines (Byron Benedyk, anyone?) then you would need to either snail mail or scan and email the pages to Copy J, because he does need some type of digital file to put it on the disc.
In any case, it's not up to a vote and, when you get down to it, we might have our little "guest Editor-in-Chiefs" but when it comes down to it, Seth is in charge and what he says goes; I trust his leadership in any case.
Thanks. And I’ve got the best interest of the APA in mind here, I really do. Let us see where this goes… who knows where we find ourselves this time in 2009. I’ll tell you where I DON’T see us: in a place where members willingly send in money for APA dues… how long have we been asking for money for paying the CopyCo bill? You know I’ve been harping about it for at least 50 days… you can go back to Zarko’s pleas and say it’s been 6, 7, 8 months. And money is just not coming in.
And there's no sense in letting the old APA's ways bleed us out. Hey, it'll be an adventure and everyone needs a different way to do things every once in a while. Let's go, see what happens. (Unfortunately, this is going to be a fundamental change in my own zine and the plans I had for this issue that I'm EiC for but I'll sort it out.)
I know, Mar, and I’m sorry to do this on your watch. I’m hopeful you’ll roll with it, and make the best of it, and that seems like what you’re willing to do, by reading this here. It’s important to me that you embrace this change, because you’re one of our most important members (I’m not just saying that because it was your birthday recently). I’m not trying to run anyone off – that’s been my M.O. to a fault, you know that. I worry about what you, Travis, Zarko think, because I know that you guys are all like me – you prefer a printed magazine over a CD.
Hey, maybe you can hit an early homerun with this new format, current EIC. I don’t know, there’s this ‘best of’ CD that comes out every year, it’s this member’s CD he sends out… maybe that could be in the ‘zine now? How, I don’t know. Copy J tells me it works, though. Something to think about.
So it's going to happen for this current issue? That's rather abrupt.
It is, isn’t it? The impetus for this was that Copy J took the initiative and demanded digital versions of everyone’s zine for issue 38, and then he just made it and brought it over for us to look at. There’s me, Bart, Arnett and Copy J, all hunched over my computer, checking out this new format for PL. And he’s telling me, “This is 1/8th the cost, 1/20th the time – I did the math.” And it’s right there, man, the answer. I took a deep breath and said, “this is the new format.”
When Bell invented the telephone, he didn’t say, ‘You know, I’m gonna keep yelling out the window to my neighbor, because that’s the way I’ve always reached him.’ There’s a new technology here that seems like it’s full service, ready to go… it’s cheaper, faster, in color, more environmental… let’s try it.
I won't print mine out, though. Sure, we have that option now if we're so set on reading the thing in print but, man, that's a lot to print and my computer isn't set up to be a copy service.
I would suggest, if you wanted a printed version, you take it to Kinko’s, CopyCo, whatever copy place you have, and ask them to print/bind it. I imagine it’d be inexpensive, maybe $4, $5. That’s a guess. I wouldn’t suggest printing it on your home printer either.
But if you’re already declaring that you won’t be printing yours off, I think you’re more willing to let go of the printed version than you let on…
From Mar:
I'm re-copying the meat of the discussion we've had about the APA-to-disc so far. This could be for ease of use in case we want to include other people in this (and I would have sent it to everyone else in the PL membership but I wanted to make sure I had your permission to reprint what you've said in this circle).
My comments follow, at the end.Subj: RE: Pulp Legacy Date: 1/11/2008 12:10:38 PM Pacific Standard Time From: sjones@gcsaa.org To: theamazingsweeten@hotmail.com, mar93@aol.com, zaricr@mlc.mb.ca, zaric@mts.net
From Seth:
Sorry to exclude you guys, but… the conversation’s already been had. I had it with myself. I’m flipping the switch. We’re all-CD with the next issue. I know some people will be disappointed… heck, I’m one of them! But here are my choices:
Continue to print the APA, where the costs will continue to come out of me and Copy J’s pocket Make the APA all-CD, so cost is reduced to 1/8th and time commitment is reduced to 1/20th
We just gotta rip it off like a band-aid. And who knows, this whole thing may fall apart miserably, and we’re back to printing in a few months. But for now, I need to give this a try. I don’t want to come off like a dictator here. But debating, voting, etc., isn’t going to help the $200 CopyCo bill. This will. So this is what I’m doing.
If you really love the printed PL… go ahead and print it. That’s an option. It’s just that you now have to print your own. I don’t think I’m taking away anything, because PL still can be printed. But I am putting a stop to the mounting copy/postage bills.
I’ll reproduce this on the Pulp Legacy blog (www.pulplegacy.blogspot.com) , so everyone can see what we’re talking about here.
From Zaric:
And so it is. Seth's right about the money stuff. I don't know how many e-mails I sent out for people to pay up. Some are great, but a sizable portion haven't anted up. Who knows? Let's see what happens. It will make production a lot easier and open things up to videos and music to become more of a multimedia thing.
What I like: - Easier to create a 'zine. Plus it allows me to submit right on the deadline instead of a month out.- Cheaper. I won't miss paying the postage for 25-30 'zines.
What I don't like: - The format. I prefer paper over monitor. (It's back to Wizard when I have to take a crap.)- I read everything cover to cover. I suspect not everyone does.
Will they now with a more inconvenient (from the end user perspective) format? Arden recently received a Spider-Man CR-ROM with all 500 issues on it and I've hardly looked at it. If he received 500 comics, I'd have annexed them by now. (This point is debatable because I know some people read everything off a screen.)
But let's give it a go. BTW, here was what I wrote as an MC to CJ for his most recent 'zine:
I really liked the CD of Pulp Legacy. I’m a little torn as to the direction of our fine APA. Part of me wants to move ahead and get with the new technology … but part of me is rooted in the past. I read your ‘zine (and will most likely read everyone else’s) in the paper form. It’s just more convenient for me. I can look at it anywhere I want: on the couch, in my office, at work, on the can, on the bus, etc. The CD limits where I can view it. I don’t have a laptop and am not a big fan of reading continuously from the computer screen. I do, however, agree that from a production standpoint, all-electronic would be easier and less expensive. I would not miss mailing out 30 copies of my ‘zine every two months or whatever. Also, the colour pictures are a nice touch. Now that I think about it, I could insert pictures and images at a high resolution. Presently I have to decrease the photo size so I’m not working with a data pig. But the paper form … there’s something about print that trump electronic. Perhaps a sense of permanence (although I know that’s not true)? So I’m torn. Maybe I’m old fashioned. Kind of like the vinyl people when CDs first came out (although I was always pro-CD).
From Travis:
I personally HATE the idea of going completely with the CD format. If we're going to go all digital, why don't we just get a website and post stuff, a la Comic Book Resources?
With that said, I understand what Seth is saying. He's been carrying a lot of us for a long time now, far longer than I would have, both in patience and finances. So, yeah, I say make the switch. In a perfect world, cheaper reproduction techniques will come along and we'll all go back to having reading material on the shitter. And as Seth brought up, it could all come crashing down in a giant heap.
But before I dip my toe in the pool of digital 'zining, I have a few...things to say (sorry, the metaphor well ran dry) 1. I know that we switched up how we did some things after Seth had a conversation with some other APA groups. Have we continued dialogue with them to see how they are holding up under the financial stress? Do they have some good ideas that we are not looking into? 2. Will everyone's stuff on CD be readable? F'r instance, I use office 07 to write my 'zine. Is the format changed when it gets uploaded or burned or whatever so that everyone else can read it too? What if Mar is using some nifty new desktop publisher to create Waydown? Can I read his 'zine if I don't have that program? I'm just worried that someone's contribution will be reduced to an error message of "cannot read file".
From Mar:
Before I get into the details of debating the topic (oh, and you know I will), here's an e-mail I sent Jones a few weeks ago about this very topic:
I'll say right now that I don't like the idea of having the APA on a disc to look at on the computer screen. For a number of reasons, one of the most prominent being that I like looking at the APA in print and that's the way I think it always should be; having it on the computer is just a fundamental change in the APA experience. However, I realize the reality of the situation and if the costs to make the thing are over $200, like I think you said it was for the newest issue, then certainly something has to change. And I can live with it, it's just a change to get used to and it's a lot better than abandoning the thing altogether. I can't imagine any other member putting up such a fit that we'll keep going with the printed version but I'm looking forward to the debate. So, just to be clear: I don't like the idea of the change but I know it's the best thing to do and, besides my offering my own opinions about it, I won't stand in the way of the APA's progress.
From Trav:
You know, I think that, barring a couple of members, Marlan says it for everyone. The majority of us don't want to go digital, the majority don't want to lose the print format. But the majority of us don't want to lose Pulp Legacy either.
From Mar:
So it's going to happen for this current issue? That's rather abrupt. I thought we might have another issue to get used to the idea, to ease into it, to make a transition, but I reckon that's what the last issue was, even if we didn't know it (and I'll even take a look at that disc one of these days). But there's no sense in putting it off for longer and racking up another $200 copy bill. I like the band-aid analogy. Might as well jump right into it.
While I don't "HATE" the idea of going to disc with the APA, like I've said, I think its purest form is in print. I've thought of it like collecting vinyl records: newer ways to collect and listen to your music are easier, cheaper, and more convenient but there's a certain feel to vinyl (one that I'm unfamiliar with but I think you know what I'm talking about). Or like video games: sure, the newer ones might be better in their way but there's a certain charm to the old Atari 2600 games. It's like respecting something antiquated (though "antiquated" doesn't have to mean it's no longer useful because it's old-fashioned).
There's also something to be said for tradition and doing it the way we've always done it but if it's really such a pain, then it is time to change. (And as I was reading through the e-mails I noticed that Zaric made the same analogy to vinyl that I did but I already typed all this out so I'll leave it as is.)I won't print mine out, though. Sure, we have that option now if we're so set on reading the thing in print but, man, that's a lot to print and my computer isn't set up to be a copy service. Besides, it still wouldn't be the same. You wouldn't have the missing or doubled issues or the spontaneous extras that are thrown into the envelope or the joy of being able to skip over a chunk of it because it's your own long-winded zine. And really, if the future of comics is having comics online, on your computer screen, will anyone really print them out just to read them like they used to? I really doubt it. That's just a lot more work. And it's still not the same.
Some questions, though:
When did the APA get to be so expensive? I remember the issues used to be a few bucks and that was mostly for postage. Is it the color covers that killed us? Or the uploading to Copy Jesus's work's FTP site? "Uncle" pays for the postage, so it's not that. (Note: Jones edit on this sentence.) I could live without the color covers, or anything else in color for that matter if it's going to cost a stack of bills. And the convenience of uploading my zine is a wonderful thing and I'm more than happy to pay for it and I've assumed that I've been charged for it and it's come out of the dues that I've paid. If people aren't paying for uploading and printing their zines then they need to be cut out or go back to the old ways, which worked just fine for a long time. If someone's paying for it then it should be the writer paying for it. This thing isn't free. Of course, trying to figure out ways to save the APA's finances might be a little late by now but I'm still interested in what happened.
Are the other APAs going through the same thing? Have they already hit on the idea to put their issues on disc or on a website? I'm sure this discussion started the day after it became so convenient to put things online, why anyone would bother with printing the APA? I'm not involved with any other APAs anymore and I don't talk to many outside of PL but are you guys in touch with any of the others, like Legends? Is Legends even still around?
And Travis brings up a good point about everyone being able to read their zines on their computers. When we do this, we're going to have to make sure that everyone is using the same program for their zines so they're compatible to everyone. I do mine in Publisher (and an old version, at that) and not everyone has that (nor should they). Travis does his in Office and I don't think I ever even installed that on my computer. Baxter has a Mac; I think Arnett does, too. I would suggest everyone saving in Word but even that's doubtful that everyone has it. It is important we figure this out.
In any case, it's not up to a vote and, when you get down to it, we might have our little "guest Editor-in-Chiefs" but when it comes down to it, Seth is in charge and what he says goes; I trust his leadership in any case. And there's no sense in letting the old APA's ways bleed us out. Hey, it'll be an adventure and everyone needs a different way to do things every once in a while. Let's go, see what happens. (Unfortunately, this is going to be a fundamental change in my own zine and the plans I had for this issue that I'm EiC for but I'll sort it out.)
Subscribe to:
Post Comments (Atom)
8 comments:
I can't believe that I am in the minority of the big switch being a great idea.(of course, that conversation was with only four people)
It seems the biggest concern is the uniformity of the switch. Which isn't a big deal. As long as your formats are something that CJ can transfer into a PDF document, and you have Abobe Reader installed (free from Abobe) you're cooking with fire- as the kids say. Another assurance in the matter of uniformity- for those who need some peace of mind and maybe a little less tech savvy than others- would be to use the same documentation program. I'd suggest Open Office mainly because it does everything that Microsoft Office does- only it's free. And it even comes in both Mac and PC. (http://www.openoffice.org )
As for printing, is not being able to read the zine on the toilet really such a big deal? Really? The CD will be just as able to attract new members and be more impressive in doing so.
And what I find interesting in Travis comment on 'why don't we just put our zines on the blog?'is that the CD is a much easier read than the format we have situated for our blog. The CD is a completely different animal. Unless we change the layout of the blog, I think that's a horrible idea. Reading what we already put on the blog is difficult enough to read and sort through with trying to determine whose zine is whose. With the CD, we'll still be allowed that signature of style for our little individual ways to leave our mark and not be conjoined into some type heavy super blog.
Here's to the Future
Actually I said website not blog, but who's quibbling. But the more that I think about it, the more a website makes sense, especially since we are foregoing the traditional print methods. Instead of a bi-monthly process, we could have weekly, monthly, quarterly (or whatever) columns from people. Juxtaposition would still be Juxtaposition, but now you could get it twice a month (yeah, right) instead of once every two. And a website would still cost a fraction of what our print bill is (domain name registery fees are that expensive). Just tossing another log on the fire of discussion.
Web site?
That changes the nature of the APA more than the switch to the CD. Now we've got people posting randomly, whatever they've got, rather than meeting an every-other-month deadline and then producing an entire 'zines worth of material. Who gets the front page of the Web site? Who designs the Web site? Who puts the info on the Web site?
I appreciate you thinking outside the box, Trav, but I think trying to produce the APA on a Web site is like trying to produce a live action soccer game in my pants -- the two mediums aren't compatible.
Look at the CD, if you haven't done so yet. You'll see that the CD is exactly like the APA -- the front cover, TOC, zines in order, etc.
How can we get that on a Web site?
Well....we could have a sidebar of links to everyone's 'zines, f'r starters...A blazing Pulp Legacy banner at the top of the page. Headlines and news would be prominently positioned on the main page (what gets listed is determined by the EIC or his designated rep). Other links could be past covers (and featured artwork), notes from the EIC, videos, online comics (to give Arnett his own little corner), etc. Yeah, it's wouldn't be the 'zine as we know it anymore. But then, having it on CD isn't the 'zine as we know it anymore, either. Futher, this would give the digital medium camp nerd-gasms till the new year. I'm not saying it's something that we should blindly jump into. There are a lot of considerations to be taken into account. But a website doesn't have to be mailed or reproduced. And I can check a website from anywhere on the planet with a computer and an internet connection. So if I get my friends interested in PL, I can say, "visit this website". And we have a exponentially greater audience with an exponentially greater field of new members (and possibly a new way to create revenue further down the line with subscription services and such for non members). Yes, all of this falls under the "Big Ambitions" category. But change seems to be the order of the day and I'd rather have large ambitions to reach for than mediocrisy achieved.
MONEY: I've done the math many times... the BEST price on copies if you're going to have to pay for them (at least in this town) is a nickel a side. At an average page count of 150, a black and white copy of Pulp Legacy, not including covers, would set you back $7.50. Last issue was 190 pages, or $9.50.
Uploads are and will always be free, its simply an FTP service to transfer large files that is part of my company's website. The ONLY part of Pulp Legacy we've been paying for out of pocket of late is the covers. The best deal we can get on those lately has been $1.39 each (see note below), times 25 copies, roughly $35 with tax. Add a couple bucks for the black and white backs. NOTE: this price is what we pay if the cover doesn't "bleed" (have the print running off the edge). In order for the bleed to happen, they have to be printed on 11x17 cardstock and cut down, to the tune of $1.99 each, or $50.
The lion's share of the actual page production is done by Seth and myself. Mr. Jones uses a copier that he has access to and I have a fairly hefty laser printer at home. Seth's copier access doesn't cost him anything, my laser printer uses a toner cartridge every issue, at about $25, and I typically acquire the paper from work. I couldn't care less about this cost, I use it for my own stuff and $25 is cheap. Jason does his at work (I believe) and Danny provides his own, as does Bart. The bill we have due is an accumulation over the last 6 months (3 issues).
SOFTWARE: software is a non-issue. If you have a computer that runs Windows 2000 or newer (or a Mac)you have everything you need to view and enjoy the digital Pulp Legacy. I will take your 'zine in whatever software you do it in and convert it to PDF format. Acrobat Reader has been standard equipment on all computers for the last 6 or 7 years. "Can I just send you a PDF?" Absolutely, as long as its high resolution, if you have the know-how and the equipment, by all means send me a PDF. Your 'zine will look just like it does in print.
MY TWO CENTS: My problem? TIME and the lack thereof. Leading up to assembly (and I know Seth does the same thing so multiply these times by 2) I typically spend 3 or 4 hours a night for 3 nights running to print out the half of the 'zines that I do. Add time to get the covers ready to go, a trip to CopyCo to have them output, time out of my family's lives. To write PDFs of everyone's individual 'zine took roughly 2 hours. I assembled the PDF (covers, TOC, 'zines, etc., all 192 pages) in about 15 minutes. Then the labels printed in about 20 minutes because I hand fed them and burning 30 CDs, even doing it one at a time, took under 30 minutes. That's one evening for me and none for Seth, Jason, Danny, and Bart (Lawrence Assembly Crew). If our "deal" with postage ever goes south, CDs will cost a fraction to mail.
It comes down to 2 things as I see it: time and money... I can't speak for anyone else, but I'm not rich and I'm really freakin' busy right now. I'm cool with a website, I've been itching to learn some html mark-up, I have that software too. Ultimately, my opinion is my opinion and I'll go along with whatever Seth Jones says, it's his ballgame, I'm simply his batboy...
You know, that comment would have been immensely more humorous if you had said "ball boy" instead...sorry, it's 2AM and my humor runs to dick and fart jokes at this time of morning...
I've definitely warmed up to the CD-ROM direction ... however I'm not keen on the website idea.
I see Pulp Legacy as more of a stand-alone thing with a fixed deadline. It's something you can give to someone and say, "Here it is," whether it's paper or CD-ROM. If it was pure on-line, it would just be another blog (uh, kind of like this one). One of the reasons I like Pulp Legacy is that it's like a magazine. There's a cover and chapters and a deadline. If everything was on-line, deadlines would mean nothing. It would be a vertual thing lacking any focus (and, perhaps, committment).
There's also a privacy concern. When I write my stuff, I'm targetting a specific audience. There's stuff I've written in the past I would not necessarity want posted on a web site for the whole world to see. The world does not need to know about my job and issues I've had with it (or not). It doesn't need to know what my family looks like nor their names. It doesn't need to know who I want to maim the next time I meet that person in a dark alley.
Sure, by writing about those things I know I'm opening up the possibility of my stories and opinions becoming public knowledge ... but at least with the way Pulp Legacy is (and will be), I can 'control' its distribution somewhat.
If I wanted to, I could blog to my heart's content. But that's not my gig. An online Pulp Legacy would change my writing style and content.
You scared me Travis! I read the first 2 lines of your post after mine and thought I'd pissed you off! You are absolutely right though, "ball boy" would have been way better, I finished typing that at 1:30am and I was way past dick and fart jokes by then, I was having trouble completing sentences (not that I can do that anyway, sleep or no sleep...)
Zarko: I never really thought of it that way about the online thing, you're dead on about having to be careful about what you say.
Post a Comment